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Title : THE ARTIST & SCULPTOR KELD MOSEHOLM
THE ARTIST & SCULPTOR KELD MOSEHOLM
"The Emperor´s New Clothes" 1998 - Brandts Klædefabrik, Odense
Sier du navnet Keld Moseholm, vil mennesker over hele verden tenke på små runde bronsemenn, som står, går, ligge og sitter, mens de forsøker å gjøre noe vanskelig.
Inne i den store nedlagte skolebygningen som Bente og Keld har restaurert, hersker det unormal orden for et kunstnerhjem. Og utenfor - i atelierene, i gårdshavene, i frukthavene - og på huggeplassene - hersker det alt det fantastiske rotet som en kreativ sjel kunne ønske seg.
Mange av de skulpturer som er blitt sendt fra Fyn til Australien og "Sculpture by the Sea" gjennom de siste 10 år, er blitt solgt. Enten til byer - eller til private samlere. F.eks. slik som nå avdøde prins Rainer av Monaco. Kelds skulptur, "Pige på stol" står i parken rundt slottet i Monaco.
Alvor og Humor er to viktige temaer i bildehuggeren Keld Moseholms kunst. Med underfundig humor dribler har tilværelsens store spørsmål i sine verker, hvor tragikomisk og farse blandes hele tiden, så man vet ikke helt når det ene slutter og det annet begynner. Tilværelsens ulidelige letthet og tyngde speiles i Kelds figurer, som hovedsakelig er i granitt, stål og bronse.
Keld Moseholm Jørgensen er født 26. april 1936 i Freltofte i Nr.Lyndelse og stammer fra Moseholmgården ved Nr. Broby. Keld og hans kone Bente har i mange år hatt sitt hjem i samme landsby hvor min mann og jeg har vår eiendom på Fyn, men bor i dag i Dyreborg ved Faaborg. Da hans bror Mogens ennå er vår nærmeste nabo, er det ikke vanskelig å finne Kelds morsomme skulpturer.
Keld arbeider med naturalistiske skulpturer, særlig kvinnefigurer og barn. Han har siden begynnelsen av 1980-årene arbeidet med skulpturer hvor "de små tykke menn" boltrer seg på forskjellige måter. Den gang endret hans kunst karakter på tre måter: Den ble humoristisk, ironisk og fortellende.
De fleste av Kelds skulpturer framstiller situasjoner som inngår i og forutsetter et narrativt forløp. Hans skulpturer blir til framstillinger av vårt maktbegjær, oppustede selvbilder og ondskap ovenfor andre. Men de framstiller også vår rastløse foretaksomhet og vår dumdristige kasting ut i prosjekter som synes håpløse. Samtidig tillater Keld seg å oppheve tyngdeloven, når "de små tykke menn" er i gang med å løse umulige oppgaver. Hans skulpturer representerer ofte en skrøpelig magi som det er vanskelig å tro på, men som allikevel rammer publikum.
Velkommen til Kelds virkelighet. Den ligner til forveksling noe du kan se i ditt eget speil hver dag.
"Sur une chaise" 1981, Monaco - Keld's daughter sat model for this sculpture
Say the name Keld Moseholm, and people worldwide will think of small round men in bronze, standing, walking, lying down and sitting, while they try to do something difficult.
Inside the large abandoned school building that Bente and Keld has restored, ruling the abnormal order for an artist's home. And beyond - the studios, in the courtyard gardens, fruit gardens - and cut slots - rules that all the wonderful mess that a creative mind could ever want.
Inside the large abandoned school building that Bente and Keld has restored, ruling the abnormal order for an artist's home. And beyond - the studios, in the courtyard gardens, fruit gardens - and cut slots - rules that all the wonderful mess that a creative mind could ever want.
Many of the sculptures that have been sent from Funen to Australia and "Sculpture by the Sea" during the past 10 years has been sold. Whether the cities - or to private collectors. Such as the deceased Prince Rainer of Monaco. Keld's sculpture, "girl on the chair" standing in the park around the palace in Monaco.
Serious and Fun are two important topics in sculptors Keld Moseholm's art. With subtle humor he dribbles the big questions of existence in his works, where tragicomic and farce get mixed all the time, so you do not know where one ends and another begins. Existence unbearable lightness and heaviness reflected in Keld's figures, mainly of granite, steel and bronze.
Keld Moseholm Jørgensen was born 26 April 1936 in Freltofte on Funen. Keld and his wife Bente has for many years had their home in the same village where my husband and I have our property on Funen, but currently they live in Dyreborg near Faaborg. When his brother is still our closest neighbor, it is not hard to find Keld's fun sculptures.
Keld works with naturalistic sculptures, especially female figures and children. He has since the beginning of the 1980s worked with sculptures in which "the little fat men" frolicking in different ways. This changed his artistic character in three ways: It was humorous, ironic and narrative.
Most of Keld sculptures depicting situations that are part of and requires a narrative progression. His sculptures are the representations of our desire for power, puffy self-image and malice towards others. But they also manufacture our restless enterprise and our reckless throwing out the projects that seem hopeless. At the same time allows Keld to repeal the law of gravity, when "the little fat men" are going to solve the impossible tasks. His sculptures often represent a fragile magic that is hard to believe, but that still limits the audience.
Welcome to Keld's reality. It is similar to the confusion which you can see in your own mirror each day.
Private Sculpture
Private Sculpture
woman's torso in bronze
"Ladder through stone" 2004
"The Kiss"
Sculpture By The Sea 2008
"The top and the bold" 2002 - Faaborg
"Rolling Pin" 2004 - DGI Byen, Copenhagen
"Rolling Pin" 2004 - DGI Byen, Copenhagen
"Mirroring" 1995 - Sculpture By The Sea in Sydney 2010
Keld Moseholm has received The Balnaves Foundation Sculpture Prize of $60,000, the main prize at Sculpture by the Sea, Bondi 2010 and the most generous sculpture prize in New South Wales.
"to be or not to be" - Sculpture By The Sea in Sydney 2009
"Towards the sea"
"The Obelisk" sculpture by Keld & Bente's home on Funen
Woman sculpture in Kerteminde - the model for the sculpture is Keld's wife Bente
"On the staircase"
"Mother"
"Project"
"The Dancers"
Education:
Funen Art Academy, Odense, Denmark, 1958-62
The Royal Danish Academy of Fine Arts, Copenhagen, Denmark, 1965-70
Selection of solo exhibitions:
La Gallerie Art Contemporain, Limoges, France, 1983
Ostholstein Museum, Eutin, Germany, 1989, 1997, 2001, 2005
Gallery Bergman, Stockholm, Sweden, 1988, 1996, 2000
Retrospective Exhibition, Jens Nielsen Museum, Holstebro, Denmark, 1992
Gallery Hermes, Solothurn, Schweiz, 1996
Gallery Bergman, Gothenburg, 1996
Gallery Rasmus, Copenhagen, 1997, 2000
Retrospective Exhibition, TV2, Odense, Denmark, 1996
Gallery Lærken, Amsterdam, Netherlands, 1992, 1996
Heltborg Museum, Denmark, 1998
Telemark Fylkesgalleri, Notodden, Norway, 1998
Gallery Bergman, Malmø, Sweden, 1999
Gallery Thomassen, Gothenburg, Sweden, 2002
Selection of group exhibitions:
Spring Exhibition, Charlottenborg, Copenhagen 1966, 1973
Artist from Funen, Nicolai Kirke, Copenhagen, 1975
Autumn Exhibition, Charlottenborg, Copenhagen 1979
Autumn Exhibition, Den Frie, Copenhagen, 1980
International exhibition of Modern Art, Monaco, 1983, 1989
International exhibition of Humour and Satire, Gabrovo, Bulgaria, 1983, 1989
DanishNorwegian sculpture, Stavanger, 1985
3rd International Exhibition of small sculptures, Castelanza, Italy, 1987
Bildhauergalerie MesserLadwig, Berlin, 1988
”Fynalen”, Brandts Klædefabrik, Odense, Denmark, 1990
ARTHamburg, Germany, 1990,
”Pieces of the Berlin Wall”, Fyns Art Museum, Odense, Denmark, 1991
21st International Biennial, Sao Paulo, Brazil, 1991
”11 Danes in Colonata”, Gallery L Group, Italy, 1991
Summer Culture Exhibition, Jönköping län, Sweden, 1992
Nordic sculptures in Norwegian Nature, Eidfjord, Norway, 1993
Art from Europe, Münster, Germany, 1993
Sculpturebiennial, Toyamura, Japan, 1993
DanishIndonesian exhibition, Jakarta, 1993
OdenseKiev Baku, Baku Art Center, Aserbajdsjan, 1993
Stockholm Art Fair (Gallery Bergman), Sweden, 1993
Gothenburg Art Exhibition Hall with Gallery Bergman, Sweden, 1996
Art Copenhagen, Denmark (Gallery Rasmus) 1995, 2001
The Art Museum, Torshavn, Faeroe Island, 1998
Holland Art Fair, Den Haag, Netherlands, 1999
“Dualitet “ A European Dialoque, Rendsburg, Germany, 1999
”Sculpture by The Sea”, Sydney, Australia, 1999, 2005, 2010
“Tradition and disruption”, “BaneGården” Aabenrå, Denmark, 2000
Agerholm Sculpture Park and Gallery, Denmark, 2000, 2002
Stockholm Art Fair (Gallery Udengaard, Malmø), Sweden, 2002
2. SculptureTriannale, Bad Ragaz, Schweiz, 2003
“GoldenSmiles”exhibition, House of Humour and Satire, Gabrovo, Bulgaria, 2003
Den fynske Forårsudstillings 75 års jubilæum, Fyns Kunstmuseum, Odense, Denmark, 2004
Selection of commissioned work:
"Annette", Linköping, Sweden, 1978
"Girl on a chair", Promenade SteBarbe, Monaco, 1987
"The Emperor´s New Clothes", Brandts Klædefabrik, Odense, Denmark, 1988
"Untitled", Ålborg University Centre, Denmark, 1990
Sculpture, Familjebostäder, Gothenburg, Sweden, 1991
"Children on a seesaw", Borås Council, Sweden, 1992
"Playing Children", Legoland, Denmark, 1994
JOYCE, (Danish Television Company), Odense, Denmark, 1996
SCULPTURE, SID´s Headquarter, Copenhagen, Denmark, 1997
"Children on a seesaw", Selvaag Byg, Oslo, Norway, 1998/
Representation:
The Museum for Humour and Satire, Gabrovo, Bulgaria
Ostholstein Museum, Eutin, Germany
The Culture Foundation of Copenhagen
Gothenburg Commune, Sweden
Stockholm´s County Council, Sweden
Kultur i Länet, Uppsala, Sweden
Represented in many private collections in Denmark, Norway, Sweden, Brazil, France, Germany, Holland, United States, United Kingdom.
Awards:
Exhibition of Humour and Satire in Art, Gabrovo, Bulgaria, 1983
Prix Fondation Florence J. Gould at the International Exhibition of Contemporary Art, Monaco, 1987
The Balnaves Foundation Sculpture Prize, the main prize at Sculpture by the Sea, Bondi, 2010
Memberships:
The Danish Society of Artists
The Danish Association of Visual Arts
The Danish Sculptors Society
The European Academy of Art, Science and Humanities
ISC International Sculpture Center, USA
Jury at The international exhibition of humour and satire in the art in Gabrovo, Bulgaria, 1989
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